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An Enlarged Heart, the exquisitely written prose debut from prize-winning poet Cynthia Zarin, is a poignantly understated exploration of the author’s experiences with love, work, and the surprise of time’s passage. In these intertwined episodes from her New York world and beyond, she charts the shifting and complicated parameters of contemporary life and family in writing that feels nearly fictional in its richness of scene, dialogue, and mood. The writer herself is the marvelously rueful character at the center of these tales, at first a bewildered young woman, navigating the terrain of new jobs and borrowed apartments and the rapidly fading New York of people like Mr. Ferri, the Upper East Side tailor (“a wren of a man with pins flashing in his teeth”). By the end, whether Zarin is writing about vanished restaurants, her decades-long love affair with her collection of coats, a newlywed journey to Italy, a child’s illness, Mary McCarthy’s file cabinet, or the inner life of the New Yorker staff she knew as a young woman, this history of the heart shows us how persistent the past is in returning to us with entirely new lessons, and that there are some truths not even a tailor can alter.

• Sales Rank: #926626 in eBooks
• Published on: 2013-02-12
• Released on: 2013-02-12
• Format: Kindle eBook

From Booklist
Poet, children’s author, and journalist Zarin was the fashion writer for the New Yorker while she was in her twenties in the 1980s, and her passion for beautiful fabric and well-tailored attire, especially coats, is the catalyst for many of her lustrously descriptive, complexly emotional, and exquisitely crafted personal essays. But marriage and motherhood are the lifeblood of her acute observations and incisive reflections, from an interrupted honeymoon in Italy to the terrifying title piece about her youngest daughter’s battle with a rare malady. Each episode is ensnaring, each setting scrupulously and atmospherically evoked in language silken and cut on the bias. But it is what she makes out of these reassembled remnants of memory that imbues this book with its lambent beauty and philosophical resonance. As Zarin retrieves indelible incidents from her life stained with chagrin, regret, and shock, she reflects on the quiet arts of reclamation and refurbishing, discovering in those practices––which are much like writing itself—ways to live with disquieting change, mortifying mistakes, and condemned dreams, ways to alter, mend, repair, and begin again. --Donna Seaman

Review

“Enchanting. . . . Zarin knits her stories together with an appealing and deeply intimate voice.” --Boston Globe
 
“The essays’ overlapping corners have a cumulative power, evoking a disappeared New York . . . in which a young romantic began making her way in words.” —Vogue
 
“There were moments throughout that reminded me of Didion at her elegiac best, which is perhaps the finest compliment I know how to pay an essayist…. Zarin [is] a first-rate practitioner.” —Christopher Beha, The New York Times Book Review
 
“Zarin takes readers on a journey through a lifetime’s worth of homes, relationships and landscapes. . . . Pulses with a life force.” —Kirkus Reviews [starred review]
  
“A dozen delightful essays set in a mostly ephemeral Manhattan…. [Zarin] weaves a lyrical memoir out of mundane urban experiences . . . with characters ranging from William Shawn, the New Yorker editor, to Mr. Ferri, an Upper East Side tailor, whom she vividly describes as ‘a wren of a man with pins flashing in his teeth.’” —The New York Times
 
“Elegant, interlocking essays . . . [with] an underlying generosity of spirit. Her remembrances, while revealing, are refreshingly devoid of the medical-grade dysfunction we’ve come to expect from memoir. . . . An enlarged heart is surely a marvelous thing.” --San Francisco Chronicle
 
“Lustrously descriptive, complexly emotional, and exquisitely crafted personal essays. . . . Each episode is ensnaring, each setting scrupulously and atmospherically evoked in language silken and cut on the bias. But it is what she makes out of these reassembled remnants of memory that imbues this book with its lambent beauty and philosophical resonance.” —Booklist
 
“Zarin’s moving and beautiful memoir accomplishes one of the rarer of literary feats—it locates the profound in the outwardly ordinary. Zarin masterfully reveals those significant emotional, moral, and aesthetic truths that tend to conceal themselves among everyday events, an act of camouflage so effective as to require a truly brilliant writer to show us the beauty and terror of that which has long been hiding, often in plain sight. An Enlarged Heart is a large book.” —Michael Cunningham, author of By Nightfall and The Hours
 
“Irresistible. In a series of elegant, piercing moments, Zarin unleashes the immense power of the intimate, conjuring both the past and the present with brilliance and wit, transforming anecdote into art. These pages beat with precision, sorrow, color, strength and life.” —Jane Mendelsohn, author of Innocence and I Was Amelia Earhart
 

About the Author

Cynthia Zarin was born in New York City and educated at Harvard and Columbia. The author of four books of poetry and five books for children, she is a longtime contributor to The New Yorker, as well as other publications, and a former contributing editor at Gourmet. Her awards and honors include a John Simon Guggenheim Fellowship, the Ingram Merrill Award for Poetry, the Peter I. B. Lavan Prize, a National Endowment of the Arts Award for Literature, and the Los Angeles Times Book Prize. She lives in New York City.

Most helpful customer reviews

6 of 6 people found the following review helpful.
Intimate voice that hooks you from the start
By Nancy Brandwein
It's hard to write this review, because I found Zarin's essays both intriguing and infuriating. She draws you in with the intimacy of a friend, the kind of friend you are quick to make as a mother in New York City, in the playgrounds or while working the rummage sale tables of your kid's school (in fact, I'm pretty sure I'm walking around wearing Zarin's cast-offs since I shop at The Cathedral School rummage sale!). She often goes into digressions and asks the reader "What's the point?" about something she just revealed--a comparison of the color of flowers out west and the color of water in Truro, for instance. However, I also fell in love with her voice, so human and humane, her ruminations on clothing, especially, were moving to me, as I can often best remember events of my youth by particular signature items of clothing. I felt a bit irritated by the references to husbands one and two, who never materialized as real people on the page, and "the children" seemed like a swarm of children, as if Zarin were a Pied Piper leading them about. As with the husbands, they did not have personalities, but I wondered, as a personal essayist myself, if this was out of a protective impulse toward privacy. Again, I'm conflicted, I loved the karmic sleight of hand she illuminates, especially in the title essay, in which she shows how past or present losses are offset by other, seemingly unrelated revelations or events. I love the indulgence of her prose, the willingness to give in to a fetish about a coat or a color, to say of her stretch of beach in Cape Cod, "This is the most beautiful beach in the world,"--this, from someone who admits she never strays too far from the perimeter of blocks in which she grew up. The seesawing back and forth between descriptions of her two apartments, sometimes confused me, but by the end of her book I felt that the essays, slightly overlapping, offered a palimpsest of a certain kind of New York City life, of an extremely intelligent and sensitive woman, who, like so many of us, are also unsure and full of self-doubt. I will dip back into it again.

3 of 3 people found the following review helpful.
want to like this more than I do
By L. K. Mann
I am still reading, cause it is hard for me to follow some of her style: she free-associates in a way that may work well in spoken conversation, but hard on the page.

1 of 1 people found the following review helpful.
The Pleasure Is In The Details
By David Curry
A problem with memoir as a literary genre is that by its very nature it can encourage solipsism. In this book Cynthia Zarin too often heads in that direction. What saves the book is the triumph of outward over inward vision, so that the reader gets treated to a feast of detail. And what an eye and memory Zarin has for detail! (I frequently found myself thinking of Maeve Brennan.)

Bonus: Alex Katz's painting BRISK DAY 1, 1990 makes a stunning dust jacket for the book.

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Kelley's Textbook of Rheumatology delivers the state-of-the-art scientific and clinical know-how you need to offer your patients the most effective diagnosis and care. This rheumatology book’s sweeping updates highlight current advances and breakthroughs that impact your practice. With Kelley's Textbook of Rheumatology, you'll be ready to handle the toughest clinical challenges you face.

• Search the entire contents online at www.expertconsult.com, download all of images, and watch videos demonstrating the complete musculoskeletal exam, including abnormal findings and the arthroscopic presentation of diseased joints.

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• Sales Rank: #1665082 in eBooks
• Published on: 2012-08-31
• Released on: 2012-08-31
• Format: Kindle eBook

Review
"The ninth edition has many positive changes, including in the presentation, such as color coding of sections and charts and diagrams, which have made the information easier to assimilate. The book also provides up-to-date information while keeping with the traditional feel of previous editions. In times where electronic media have taken over print media, Kelley's still draws readers. It is likely the most definitive rheumatology book not only in the U.S., but also in the rest of the world".- Deepali P Sen, M.D.(Washington University Medical Center) Doody 5 star review!

Most helpful customer reviews

1 of 1 people found the following review helpful.
The final word on the subject.
By Shirwan Mirza, MD
I read this volume to broaden my knowledge in auto-immune disorders and sharpen my diagnostic skills. It is the final word on the subject. I wish readers do not evaluate the book's scientific merit based on the timing of delivery or possible damage to the cover of a book.
Authors put their hearts and souls in what they write. It is unfair to rate their scientific output based on shipping and delivery experience.

3 of 4 people found the following review helpful.
Firestein book superb
By john
There are numerous text books for rheumatology out there. This one is perhaps the most up-to-date, accurate and useful. A superb integration of pathophysioloy, epidemiology, clinical aspects and optimal management. Lovely illustrations and overall elegance

1 of 4 people found the following review helpful.
tnicola
By tnicola
The digital version is next to impossible to use with the Adobe digital book software that supports it. The recent edition also is more an immunology book with poor coverage of clinical syndromes. Dr. Nicola

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## Download Ebook AJ Cronin: The Man who Created Dr Finlay, by Alan Davies

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A.J. Cronin, author of some of the best-loved novels of the mid-twentieth century and the creator of Dr Finlay, has been unjustly overlooked by literary biographers. In this, the first full-length life of this eminent but often neglected writer, Alan Davies recounts the story of Cronin’s Scottish childhood as the son of a Protestant mother and Catholic father, his subsequent medical career, and ultimately his rise to literary prominence, emphasizing throughout the importance of holding at arm’s length many of the apocryphal tales that have accumulated around the memory of the author of Hatter’s Castle, The Citadel and The Stars Look Down, many of which are based on mistaken autobiographical readings of Cronin’s fiction itself. Incorporating an account of Cronin’s tempestuous relationship with his publisher, Victor Gollancz, and some startling revelations about the author’s marriage, Davies’s timely and moving book paints a clearer portrait of both Cronin the writer and Cronin the man than the world has hitherto seen.

• Sales Rank: #956981 in eBooks
• Published on: 2012-09-07
• Released on: 2012-09-07
• Format: Kindle eBook

Review
"Cronin is a first-rate literary craftsman with an honest love of simple humanity."  —Time

About the Author
Alan Davies turned to writing after a career in industry.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Story of an enigmatic author.
By Jane Hahn
I discovered his books many years ago & wanted to know what made him tick. I'm not sure I know much more now- he was very complicated. Successful in his career but not very happy in his personal life .

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Winner of the 2010 Bancroft Prize and finalist for the 2009 Los Angeles Times Book Prize in Biography: The definitive biography of a heroic chronicler of America's Depression and one of the twentieth century's greatest photographers.

We all know Dorothea Lange's iconic photos—the Migrant Mother holding her child, the shoeless children of the Dust Bowl—but now renowned American historian Linda Gordon brings them to three-dimensional life in this groundbreaking exploration of Lange's transformation into a documentarist. Using Lange's life to anchor a moving social history of twentieth-century America, Gordon masterfully re-creates bohemian San Francisco, the Depression, and the Japanese-American internment camps. Accompanied by more than one hundred images—many of them previously unseen and some formerly suppressed—Gordon has written a sparkling, fast-moving story that testifies to her status as one of the most gifted historians of our time. Finalist for the Los Angeles Times Book Prize; a New York Times Notable Book; New Yorker's A Year's Reading; and San Francisco Chronicle Best Book.

• Sales Rank: #638714 in eBooks
• Published on: 2010-10-11
• Released on: 2012-09-24
• Format: Kindle eBook

From Publishers Weekly
[Signature]Reviewed by Kirstin DowneyHistorian Linda Gordon presents us with a portrait of the artist as a woman in her fascinating new biography of photographer Dorothea Lange [1895–1965], who captured the images of Americans on the move during the Great Depression.Lange's most famous picture features a migrant woman in California, a refugee from the Dust Bowl. She sits by the side of the road in her lean-to tent, her children draped on her body, hanging from her haggard frame like dead weights, as she stoically looks out into the distance.But the book's central focus is the journey made by the woman standing behind the camera lens. Lange was raised on New York City's Lower East Side and overcame obstacles almost from the start. During her childhood, her parents separated, which Dorothea experienced as a desertion by her father, and a bout of childhood polio left her with a permanent limp. She spotted an opportunity, however, in photography, which was a burgeoning new art field. Dorothea apprenticed herself to a master to learn the craft, giving herself a new identity. She dropped her childhood name, Dorothea Nutzhorn, and adopted her mother's maiden name instead.She further redefined herself after making a westward trek in 1918. Within two years, she emerged as a prosperous society photographer in San Francisco who specialized in portraiture of the city's elite, but that work dried up in the 1930s. Lange shifted course again, becoming a documentary photographer for New Deal programs. From 1935 to 1941, Lange was virtually a migrant worker herself, traveling from place to place, photographing farm workers in fields and primitive labor camps.Gordon wrestles with the issue of how Lange dealt with her role as a woman in a society where family burdens are disproportionately borne by females. Raising a large brood of children and stepchildren, Lange frequently had to put her own work aside to run the household. She also became the primary breadwinner for her first husband, cowboy artist Maynard Dixon, and later supported the career of her second husband, economist and diplomat Paul Taylor, despite her own failing health.Lange privately railed at her family obligations. She shipped the children away when their care conflicted with her schedule or that of her respective husbands. And sometimes she could be cruel: she took revenge on her adolescent stepdaughter, whose father dumped her in Dorothea's lap for months at a time, criticizing and carping at her and photographing her in ways that an adolescent girl would likely have found humiliating.Dorothea Lange's talented eye brings the Great Depression home for us even today, but an observer might suggest that Dorothea, despite her fame and talent, was as much a captive of a woman's societal roles as the migrant mother she so brilliantly photographed. (Oct.)Kirstin Downey is a former staff writer at theWashington Post and author of The Woman Behind the New Deal: The Life of Frances Perkins, FDR's Secretary of Labor and His Moral Conscience (Doubleday/Talese).
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
A riveting, massively researched biography of a remarkable woman and great photographer. It's also an invaluable, cultural history of America from San Francisco's Bohemia of the 1920s to the Great Depression through WWII. Gordon tells us some amazing stories of such legendary photographers as the 'Migrant Mother,' and she also documents Lange's study of the Japanese-Americans and their oppressive internment camps. This is an absolutely fascinating study and a must read. -- Patricia Bosworth, author of Diane Arbus: The Biography

Linda Gordon, one of our greatest historians, gives us an engrossing portrait of Dorothea Lange. Every page of this magisterial biography sparkles with insight into Lange's life, passions, photographic techniques and achievements-and into the lives of the dispossessed farmers, unemployed laborers, and incarcerated Japanese-Americans who were her greatest subjects. -- George Chauncey, author of Gay New York

An astonishing and deeply moving biography of Dorothea Lange, America's foremost social photographer. No other account can rival this one for its engagement or for its dissection of the passions, injuries, and hopes that impelled Lange to challenge the boundaries of gender, race, and family. Linda Gordon writes about her complex subject with sophistication, frankness, and sensitivity. In the process, Gordon demonstrates yet again that she is among the most gifted and probing historians of our time. -- Gary Gerstle, author of American Crucible: Race and Nation in the Twentieth Century

As Dorothea Lange's biographer, Linda Gordon is fortunate that Lange's private life was as complex-exceptional yet archetypal-as the history she documented in her photographs. The resulting book is superb social history rendered through a remarkable artist and personality. -- Diane McWhorter, author of the Pulitzer Prize-winning Carry Me Home

A richly human portrait of the eminent photographer whose luminous Depression-era images had the democratizing impact of a Steinbeck novel. "

Gordon's elegant biography is a testament to Lange's gift for challenging her country to open its eyes. "

The material is fascinating, and [the] presentation sterling. "

About the Author
Linda Gordon is the Florence Kelley Professor of History at New York University. She is the author of numerous books including Dorothea Lange and Impounded, and won the Bancroft Prize for The Great Arizona Orphan Abduction. She lives in New York.

Most helpful customer reviews

73 of 75 people found the following review helpful.
FABULOUS!
By From the Coast of Maine
While I have not completely finished this book, I couldn't wait to write a review. Linda Gordon has done a masterful job of merging history, biography and art in a most enjoyable book. I can't put it down! Admittedly, I've always admired Dorothea Lange's photographs, but I had only an inkling as to how complicated her life was, and how entwined it was with San Francisco's Bohemian art world. Gordon's writing style is a joy and her meticulous research is obvious. Heretofore a reader has had a choice to either enjoy Lange's photographs, or tolerate what was written about her. Gordon's biography of Lange combines Lange's best photos (and many lesser know ones) with a strong, informative, thoroughly enjoyable and fast paced text. I highly recommend this book, especially in conjunction with Lange's photos and her own words in "Daring to Look: Lange's Photos and Field Notes." Thank you Ms. Gordon, a book long overdue!

23 of 25 people found the following review helpful.
Dorothea Lange: A Life Without Limits
By Mark J. Palmer
Review of "Dorothea Lange: A Life Beyond Limits" by Linda Gordon, W. W. Norton & Company, 2009, 536 pp.

By Mark J. Palmer, Associate Director
International Marine Mammal Project
Earth Island Institute
Berkeley, CA

Dorothea Lange's photography during the Depression defined the discipline of Documentary Photography - photography devoted to forth-rightly examining the human condition, often in the interest of righting great wrongs.

In an excellent new biography by historian Linda Gordon, Lange's experience in photographing the poor and the downtrodden was more than a bit ironic. She herself was raised in an upper class family on the East Coast. She announced her intention to take up photography as a career apparently without ever having even handled a camera, much less taken any photographs. Her career started by making portraits of wealthy San Franciscans in a studio far from dusty farms and back roads.

Lange was a hard-working self-starter, and she first attached herself to several expert photographers from whom she learned her trade. Gordon skillfully pairs Lange's career with the historic times in which she worked: Her portrait work of the elite citizens of San Francisco during the 20's is coupled with the bohemian lifestyle she adopted with many artists, including her first husband, Western painter Maynard Dixon. Her pairing with economist and agricultural reformer Paul Taylor, whom she would soon marry, when the Depression in the 30's swept away her and Dixon's art patrons and left thousands unemployed, especially migrant farm workers who were already exploited and in poverty. Her stubborn documenting of the locking away of innocent Japanese Americans during WWII hysteria, which the Army originally hired her to do and then buried the photos away from public view. (Gordon published many of these photos in 2006 in her book "Impounded: Dorothea Lange and the Censored Image of Japanese American Internment" with Gary Okihiro.) Her photography style was especially important, shunning artifice and camera tricks, as well as other artistic trends, to show people in a direct manner, as a chronicle of both adversity and human resilience.

Her photos of beautiful but pensive mothers and their families in canvas tents, broken down shacks and old cars piled with meager belongings, facing the uncertain future of farming without land of their own in bleak landscapes, are considered deeply symbolic of the economic damage done to a nation. But there was also strength shown in such photographs - the strength of the human character against the odds. Lange's photographs of migrant mothers are among the best known photographs in the world, and symbolize the 1930's and its impact.

Indeed, her expert portraits led to a change in the workings of the federal Farm Security Administration's (FSA) photography project that brought on Lange as a photographer during the Depression. The original intent of the photography project, as Gordon points out, was to document the value of the FSA and President Roosevelt's New Deal, so the agency's leaders wanted photos of new tractors, contour plowing, and other examples of things supplied farmers demonstrating the government's success in changing farming practices and helping farmers cope. But Lange's incredible and moving portraits of farm families changed the FSA photography direction, as its leaders recognized that Lange's photos of people, rather than things, had much more impact on Congress and the public.

But, as Gordon notes in her canny historical analysis, the FSA programs were largely failures, as big agriculture, the US Department of Agriculture, and Congress balked at widespread changes in practices promoted by the FSA - agricultural reform is still a distant dream, and it took Cesar Chavez and the United Farmworkers Union in the 1960's and 70's to marginally better the plight of migrant farmers. Lange would not live long enough to see the success of 60's empowerment movements (Lange died in 1965 of cancer), although she was supportive and appreciative of the early days of the Civil Rights Movement and the role of photography in that historic campaign.

Lange suffered several tragedies early in life - first a bout with polio that would leave her with a limp, and later the abandonment by her father, whom she would not speak about or meet ever again. (Gordon notes that Lange's mother may well have been in touch with her husband in later years and did not appear to share her daughter's anger against him - possibly, Lange's attitude was not altogether fair, albeit her hurt was genuine.) Despite these setbacks, she worked very hard indeed as wife to first Dixon and then Taylor (both of whom shared her passion against injustice), as a mother and home-maker, and as a photographer of genius. Her hard work, sometimes spending twelve hours straight in her darkroom, and extensive travel may well have led to crippling stomach ulcers that pained her. Her polio would act up again in later years, along with other diseases, including malaria and inoperable cancer. For the last twenty years of her life, she was a very sick woman, but still a working photographer and inspiration to many young people that worked with her and were taught by her.

Gordon concludes that Lange was a photographer of democracy - the upholding of the freedom and dignity of minorities, farm workers, Japanese citizens, and many others who formed the subjects of her direct field photography. She died just shortly before her one-person show opened at the New York Museum of Modern Art, but she herself chose the photographs, helped design the exhibit, and wrote the captions for the show. Her portraits of Americans were at last honored as true art.

"Dorothea Lange" reproduces a number of photographs by Lange, including both famous images and others that are virtually unknown. It is an enjoyable and solid read and a fitting tribute to one of America's finest artist with a camera.

13 of 15 people found the following review helpful.
The Woman Behind the Icons
By Loves the View
If the subject weren't so compelling, I would not have stayed with it. The childhood parts are heavy on speculation as to how a child of this era with polio or separated parents would have felt. Speculation on why Lange accepted the traditional women's domestic roles is similarly overdone. Staying with this book was well worth it. Linda Gordon shines in her presentation of Lange's work and its place in its era and ours.

Gordon describes not just how these iconic photos were made, but the life of Lange as she made them. Lange took on (or wound up with) responsibilities for her own two children as well as offspring from her two husbands' previous marriages. There are allusions to neglect, but the children seem to be around more than one would expect from such a busy life. By contrast, Lange's life on the road driving from place to place, relating to the people and taking the photos is very well defined.

Gordon clearly demonstrates why Lange can be considered a photographer for democracy. She writes not just of Lange's work but her commitment towards the social reforms that she hoped her images might inspire. Her work with the FSA dovetailed with her second husband's work in agricultural economics. They were independent professionals as well a team.

There is a good description of the mission and vulnerability of the FSA, its role in the New Deal, its political pressures, office politics and how and why Lange was too often the odd man out. Both Lange and the FSA had to accept the racism of the times. Photos of people of color would not be highlighted since the public would not be inclined to accept them. The agency always had to consider the power of the growers to totally eliminate it.

While we remember Lange for her FSA photos, her work encompasses far more. Most intriguing are the photos of the Japanese internment, many of which are lost to history. Others, such as those done in cooperation with Ansel Adams, were published in mainstream publications. The few "world photographs" reproduced in the book whet your appetite for more.

As the New Deal gave way to a backlash, Gordon provides excellent analysis of the pressures on Lange, her husband and her colleagues. There are discussions on photo documentation, photojournalism and photographic art and analysis of Lange and her role in and opinions regarding each.

The book, besides being rich in analysis it is rich in photos. There are glossy plates and many photos on text pages.

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? Download PDF Antología poética (Spanish Edition), by Jaime Sabines

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• Sales Rank: #762236 in eBooks
• Published on: 2012-07-17
• Released on: 2012-02-02
• Format: Kindle eBook

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1 of 1 people found the following review helpful.
¡Genial!
By misael camara
Jaime Sabines es de lo mejor que ha dado México en cuanto a la poesía se refiere, lúdico, ácido, con una capacidad de llegar a tocar las fibras más escondidas del alma y la mente. Su poesía es de la más vívida y visceral. Una laberinto de sentimientos, nostalgias y risas.

0 of 0 people found the following review helpful.
Vale lo que cuesta y mucho más!
By Cliente de Amazon
Adoro los ebooks! Y me encanta lo que escribe este autor. Creo que es la mejor opción.

0 of 0 people found the following review helpful.
Five Stars
By Luis Edgar Sandoval
Uno de los Poetas más importantes de México

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* Fee Download The Protected (The FBI Psychics series Book 4), by Shiloh Walker

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A new tale of danger and desire from national bestselling author Shiloh Walker featuring psychic FBI Agent Vaughnne MacMeans…

AN ASSIGNMENT SHE CAN’T REFUSE

Agent Vaughnne MacMeans would do anything to avoid setting foot in Orlando again. But her new assignment, keeping tabs on a psychic kid who may or may not be in danger, is forcing her right back to the city where her sister was murdered. And she didn’t count on a startling attraction to the boy’s guardian…

AN ATTRACTION HE CAN’T DENY

Protecting Alex is a priority for Gus. Gus may not understand the young man’s “gift” but he knows that some people would kill for it. When a beautiful stranger moves in next door, his impulse is to take the kid and bolt. But Gus has learned never to flee without a plan, and besides…she doesn’t exactly look like an assassin.

A GAME THEY’LL PLAY FOR KEEPS

But when some dangerous people from Gus’s past do catch up to him and Alex, it’s too late to run. His new neighbor is the last person he thought he could turn to, but Vaughnne isn’t just beautiful. She’s fearless. And she’s the only chance Gus and Alex have left.

• Sales Rank: #320073 in eBooks
• Published on: 2013-09-03
• Released on: 2013-09-03
• Format: Kindle eBook

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4 of 4 people found the following review helpful.
Review: The Protected by Shiloh Walker
By Tori @SmexyBooks
Vaughnne MacMeans works for a secret shadow group in the FBI. Composed almost entirely of psychics, the group uses their gifts to help bring down criminals that conventional means can't seem to manage. When her boss, Taylor Jones, gives Vaughnne an assignment in Orlando, FL, Vaughnne is dismayed. She was part of the team who broke the slave trade ring down there in The Reunited and the job took a lot out of her both professionally and personally. Told she will be babysitting a kid with supposed psychic powers, she finds there is much more involved once she meets her assignment.

Gus has been charged with protecting his charge, Alex. A former mercenary/spy for a foreign country, Gus intimately knows the danger Alex is in; especially if the person who wants Alex gets him back. Gus's paranoia has no boundaries and he trusts only one person-Alex. He will do anything and everything to keep Alex safe. He hates that he has to use Alex as a human lie detector but the circumstances demand it. When Gus first meets Vaughnne, the attraction is unexpected and unwelcome. He has no time for romance or even a dalliance as his life is nothing but a convoluted layer upon layer of lies and deception.

Vaughnne is astounded when she is hit by the raw psychic power Alex holds. Also by the intense chemistry that sparks between her and Gus. As Vaughnne struggles to keep Gus and Alex in her sights without them knowing, other agents are are becoming involved, each with their own agenda. When Alex's location is compromised, Vaughnne has no choice but to blow her cover and do everything possible to keep Alex safe. But that is easier said than done when Gus places roadblock after roadblock in Vaughnne's way and she is forced to finally take matters in her own hands.

The Protected is the fourth in Shiloh Walker's intensely sensual and intriguing dark paranormal series-The FBI Psychics. The Protected picks up after book three, The Reunited. Though part of a series, it can be read as a stand alone. The Protected is a shockingly seductive paranormal thriller that hooked me from page one. Shiloh Walker has an addictive writing style that draws you into her characters' emotional pathways and lets you feel with them what they are experiencing. Romance and taut suspense go hand in hand as we follow a gritty and dark well plotted storyline down a twisting path of deception, betrayal, and madness.

Heavily character driven, The Protected introduces us to two extremely complicated characters-Vaughnne MacMeans and Gus (Gustavo) Hernandez. Vaughnne has been on her own since she was fifteen when her father cast her out due to her manifesting gifts. Only through intense trial and tribulation did she get her life on track, which eventually leads her to Jones and her FBI position. Vaughnne is extremely loyal and independent. She has lines she won't cross but those lines become blurred when she and Gus begin working together.

Gus went into the military and left his family behind when he was co opted into a special ops group. He has killed, lied, deceived, and betrayed all in the name of the job. He is extremely attractive and has no issues using that to achieve his mission goals. Though he has buried his conscious deep and fears he has starred too long into the abyss, becoming like the monsters he hunted, something about Vaughnne makes him begin to question the things he has done. Gus has to be one of my favorite characters to date in this series. Dark and dangerous, he embodies an anti hero feel though you know that he is one of the good guys. He has his own rules that he follows and woe to anyone whom he decides is a threat.

The chemistry between Vaughnne and Gus is an aching pulse that beats beneath the storyline. Intense sexual tension keeps us and them on the edge as they struggle to stay professional and on top of their mission. The romance is hot and bittersweet, slowing revealing in a way that elevates and enhances the main plot without overshadowing. Their physical scenes are tasteful, satisfying, and extremely steamy. Gus is definitely an alpha and Vaughnne is more than able to hold her own when he unleashes his full repertoire on her. She sees behind the mask he has cultivated and that both intrigues and scares Gus. It was very easy to get caught up in the emotional turmoil of these two star crossed lovers as try to find their second chance.

The secondary characters are bold, viable additions to the story as they add layers to the suspense and mystery. Each one is a piece in the puzzle; they make up a solid foundation for our storyline to build upon. We see old familiar faces that are a welcome addition to the story. Taylor Jones is ever present, only offering information on a need to know basis. It's nice to see a personal side of him since our first meeting in The Missing (Book one). Taige and her daughter make an appearance and I still adore seeing Taige's protective instincts in action, especially when children are involved. We also get some clues to Taige's daughter's eventual role in the arc. Tucker and Nalini, seen in The Reunited, play much bigger roles in here I enjoyed seeing the foreshadowing of their future interactions. Tucker has such an amazing gift and I like that Walker gives us more hints into his background. I am looking forward to his book.

As with any good thriller, there are multiple sub plots running through the main storyline and each one is a key to the final outcome. Ms. Walker does a fabulous job of maintaining these separate entities without overburdening us with unnecessary information or complicated scenarios. When it all comes together in the end, we are treated to an astounding finale that ties it all together, solid and tight, with no questions left unanswered. Though we are informed of the villain early one, the journey into their reasons for wanting Alex and the catalyst that pushes Gus and Alex to run and hide was thrilling and packed with surprises.

The Protected is an action junkie's thrill ride that hits all the high notes. I recommend this series as a must read for those who love their paranormal romances to be wrapped in dark emotional suspense and intrigue. I cannot wait to see where Walker takes us next.

3 of 3 people found the following review helpful.
An exciting psychic adventure...
By Anna's herding cats
Psychic abilities, danger around every corner, some sexy times...yeah, I enjoyed this one. The Protected was an exciting race to save a young boy from the clutches of evil that kept me on the edge of my seat as Vaughnne and Gus wind up working together to save him from the group set on exploiting his incredible talents.

Paranormal...anything is always a favorite of mine and the focus on psychic skills/phenomenon in this one really worked for me--telepathy, fire starting, telekinesis, screaming banshees, etc. It was interesting, a little different and kept me curious about the different characters on both sides of the equation and what they could do.

I really liked the characters. Vaughnne and Gus are both head strong and determined as hell once they set their minds to something-- like protecting his nephew Alex. They're fierce and courageous and wiling to bend the law or flat out disregard it if they think that's what's right. And they're really perfect for each other. There were some great secondary characters as well that really caught my attention and were sexy as hell in a bad boy kind of way.

All in all I enjoyed this glimpse into the series. The romance wasn't as hot and heavy as I tend to prefer and I had a little trouble now and again with point of view shifts but really it was a satisfying read. I loved the danger and seeing how Gus and Vaughnne's relationship progressed despite his fear of letting anyone close. If you like paranormal books with a psychic bent this might be one to give a try though after talking with others in my book club I'd suggest starting at the beginning of the series. And I'm off to do just that!

2 of 2 people found the following review helpful.
Another mesmerizing romantic suspense tale in a fascinating series.
By Elf2060
4 1/2 stars

"The Protected" by Shiloh Walker is part of the enthralling `FBI Psychics' series and features people with extraordinary mental abilities. Vaughnne MacMeans appeared in a previous story in this series and has had very traumatic experiences that she is trying to recuperate from. She reluctantly accepts an assignment to `babysit' a pair of individuals who aren't to know about her task but she is shocked to realize that her mental skills will be sorely tested by an ostensibly simple duty. Gus Hernandez and his young relative are shockingly tense and exhausted but their wary tolerance of their new neighbor is overridden by the danger that she seems to represent. Vaughnne's reluctant attraction to both of them is tempered by her assessment that they represent just as much danger to her. The question becomes whether their alliance will be more harm than help and whether they will all survive to work out their relationship.

I am a big fan of stories that feature those with extraordinary mental capabilities so this is a series that appeals to me immensely. Combine that with Shiloh Walker's ability to create remarkably intense and unique characters who are extremely memorable and I am an extremely happy reader. I love the way there are cameos by some of the intriguing people from previous tales and I definitely hope there will be additional books that feature some of the secondary players from this story. Gus' young charge is a fascinating combination of powerhouse and impressionable kid who is being honed by all of the stresses he is under and one wonders whether he will shatter from the pressure or get polished into an invaluable diamond. The amazing powers that are described encompass quite a range of abilities and the enigmatic Mr. Taylor Jones continues to manipulate the resources at his command and frustrate his agents, whetting one's appetite for more hints about his background. I always look forward to more works from this talented author and this book is a wonderful example of her ability to create a vivid and enthralling story and I can only hope that the series continues to grow.

© Night Owl Reviews

I received a copy of this title in return for an honest review.

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„Gott sucht Sie – lassen Sie sich finden!“

Wann endet eine Reise – und wann beginnt eine andere, die um ein Vielfaches wichtiger ist? Als Pauls Wagen auf einer Landstraße mitten in der Toskana stehen bleibt, muss er bei einem einsam liegenden Haus um Hilfe bitten. Der alte Mann, der dort mit seinem Sohn wohnt, bietet ihm seine Gastfreundschaft an. Sieben Tage wird Paul bei ihnen bleiben. Sieben Tage lang wird er zuhören und diskutieren, zur Ruhe kommen und doch größte Aufregung erleben. Denn für Paul hat eine besondere Reise begonnen, wie sie nur Wenigen zuteilwird …

Eine spirituelle Suche entlang der Bruchstellen der christlichen Religion. Ein Buch, das die Augen öffnet.

Jetzt als eBook: „Die wahre Geschichte Gottes“ von Paul C. Meynert. dotbooks – der eBook-Verlag.

• Sales Rank: #1623003 in eBooks
• Published on: 2012-08-27
• Released on: 2012-08-27
• Format: Kindle eBook

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