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The Last Word and the Word after That: A Tale of Faith, Doubt, and a New Kind of Christianity, by Brian D. McLaren

For all those seeking more authentic ways to hold and practice Christian faith, Brian McLaren has been an inspiring, compassionate—and provocative—voice. Starting with the award-winning A New Kind of Christian, McLaren offered a lively, wide-ranging fictional conversation between Pastor Dan Poole and his friend Neil Oliver as they reflected about faith, doubt, reason, mission, leadership, and spiritual practice in the emerging postmodern world. That conversation widened to include several intriguing new characters in the sequel, The Story We Find Ourselves In, as Dan and friends continued to explore faith-stretching themes from evolution to evangelism, from death to the meaning of life. Now, in this third installment of their adventures, Dan and his widening circle of friends grapple with conventional Christian teachings about hell and judgment and what they mean for our relationship with God and each other. Is there an alternative to the usual polar views of a just God short on mercy or a merciful God short on justice?  Could our conflicted views of hell be symptoms of a deeper set of problems – misunderstandings about what God’s justice and mercy are about, misconceptions about God’s purpose in creating the world, deep misgivings about what kind of character God is and what the Christian gospel is for?

  • Sales Rank: #435076 in eBooks
  • Published on: 2009-05-18
  • Released on: 2009-05-18
  • Format: Kindle eBook

From Publishers Weekly
Pastor Dan Poole returns with another personal and theological crisis in this final installment of McLaren's A New Kind of Christian trilogy, which again features fictional characters engaged in nonfictionish theological dialogue. This time around, Poole has been granted an extended leave of absence from his conservative church as it investigates what it believes to be his liberal theological leanings, especially regarding the doctrine of hell and salvation. In rather predictable fashion, Poole finds himself questioning his own beliefs about hell and God's goodness, and just as predictably, Poole's friend Neo gently shepherds Poole away from the traditional doctrine of hell by pointing out that salvation is not just an individual matter but a communal one as well. Once Poole reaches some personal level of understanding about these doctrines through his reading, the church committee miraculously clears him of all charges and, after some emotional meetings, asks him to return to the pulpit. In the end, Poole finds comfort God's goodness and love, but by then readers may have been disappointed by the book's flimsy characters and simplistic insights. Although McLaren has justly earned a reputation for provocative postmodern theological observations, this doesn't live up to his standard. (Apr.)

Review
Pastor Dan Poole returns with another personal and theological crisis in this final installment of McLaren's A New Kind of Christian trilogy, which again features fictional characters engaged in nonfictionish theological dialogue. This time around, Poole has been granted an extended leave of absence from his conservative church as it investigates what it believes to be his liberal theological leanings, especially regarding the doctrine of hell and salvation. In rather predictable fashion, Poole finds himself questioning his own beliefs about hell and God's goodness, and just as predictably, Poole's friend Neo gently shepherds Poole away from the traditional doctrine of hell by pointing out that salvation is not just an individual matter but a communal one as well. Once Poole reaches some personal level of understanding about these doctrines through his reading, the church committee miraculously clears him of all charges and, after some emotional meetings, asks him to return to the pulpit. In the end, Poole finds comfort God's goodness and love, but by then readers may have been disappointed by the book's flimsy characters and simplistic insights. Although McLaren has justly earned a reputation for provocative postmodern theological observations, this doesn't live up to his standard. "(Apr.)" ("Publishers Weekly," March 28, 2005)

Review
"Brian McLaren has written a remarkable book on hell and the grace of God. And it is one hell of a book! The book is a narrative account, offered in a winsome conversational mode, that traces his thinking from a flat, closed, literalistic notion of God's wrath to a relational articulation of alienation and reconciliation. McLaren's work will be of immense help to those who are rethinking fundamentalist, literalistic ways of God that, in his judgment, have little to do with the Bible itself. The last word in the horizon of this book is hell, taken as ultimate divine punishment.  The pastoral power of this book is that after that word, there is still the word of divine grace and forgiveness that overrides all the threat. This is a bold book that evades none of the hard questions. It evidences yet again why McLaren is an emerging voice to be taken seriously concerning new modes of church and new practices of faith."
--Walter Brueggemann, minister, United Church of Christ; professor, Old Testament, Columbia Theological Seminary, Decatur, Georgia

"With the passion of a Reformation broadside, Brian McLaren's The Last Word and the Word after That goes for popular Christianity's theological jugular: hell and damnation. Pained by a corrupted gospel that promotes exclusion, oppression, and violence, McLaren's fictional Pastor Dan deconstructs dangerous understandings of eternal life and points toward the joy-filled possibility of Christian community shaped by a radical biblical vision of God's love and justice. In a time when some churches have been co-opted by fundamentalist political-theologies, this prophetic tale of a new kind of Christianity serves as a much-needed challenge and corrective."
--Diana Butler Bass, author, Strength for the Journey: A Pilgrimage of Faith in Community

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142 of 151 people found the following review helpful.
We Report, You Decide
By Robert W. Kellemen
In "The Last Word and the Word After That," Brian McLaren completes his "New Kind of Christian" trilogy. Since McLaren describes his writing as "creative non-fiction" readers of this review are hereby warned--if you don't want to know how his narrative ends, stop reading now. I'd hate to spoil the plot for you. . .

"The Last Word" arrived today after lunch. I fully intended to return to my sabbatical Church history research, but couldn't resist reading the back jacket, then skimming the book, then reading the introduction. The next thing I knew, the afternoon was over and so was the book. In other words, agree with him or not, McLaren can write. His narrative is compelling and gripping.

I found myself hunting for tissues when reading about Pastor Dan, his wife Carol, and the spiritual abuse that they suffered at the hands of their church board. I also found myself hunting for scissors at the biased portrayal of those who believe in a literal hell (more on this to come). And I found myself searching in vain for any closure to the discussion (I know, that's his point and his style, but still . . .).

If you want permission to think deeply about God, life, judgment, grace, and doctrine, then "The Last Word" will be a breath of fresh air. If you want to be given the research and resources necessary to intelligently ponder the doctrine of hell, then "The Last Word" will leave you wanting.

McLaren clarifies that his book is not truly about hell, but about what kind of God we believe in and what kind of purposes this God has for His creation. Still, for the first half of the book, his characters explore the doctrine of final judgment. Through their journey, McLaren provides a fair introduction to the more commonly held views about the final judgment, as well as introducing his own provocative perspective.

McLaren offers the caveat at the beginning of the book that "The Last Word" will purposefully under-represents the "traditional" view of hell as literal and eternal. Unfortunately, it not only under-represents it, it tends to misrepresent it. Three main characters hold to the traditional view. Carol represents the, "I don't want to think too deeply about it; I just want to love God" characterization. Gil epitomizes the, "I'm a cruel fundamentalist, ignorant Bible-thumper" depiction. Chip portrays the, "I'm a recovering fundamentalist; please be gentle with me while I find my brain and soul" caricature. The reader is left to assume that for the past 2000 years of Church history no thinking, loving Christian has ever held the "traditional" view of hell.

Other characters, presented with much more color-with mind and soul, life and personality-offer a composite view of what the final judgment might really be about. In the eyes of these favored characters, "hell" is not a literal place of eternal torment, but a motivational warning about a coming final judgment in which every human being stands stark naked before God to give an account of how well or how poorly she or he loved God and others and thus contributed or not to fulfilling God's shalom kingdom purpose of reconciliation. Though the intricacies of this view are difficult to summarize, at times they seem to border on a mingling of justification by works and justification by faith. After all, McLaren says that he is "post-Protestant."

Though I, and much of Church history (majority and minority report), happen to disagree with Neo's proposal about the nature of hell, one of his insights represents brilliant philosophy, accurate theology, and practical spirituality. Neo explains that when we do stand before God, because God is timeless, His judgment of us will be based upon and integrate together every nano-second of our existence. Assuming this is to be applied to Christians who are judged, not regarding entrance into heaven, but for rewards, it is a potent caution against a believer who might think, "I can wait until near the end of my life, reform, and then God will judge that mature, final me." No. God's evaluation of our Christian pilgrimage covers the entire journey. It is required of us that we walk faithfully and lovingly (though not sinlessly) day by day, even second by second.

The second half of "The Last Word" offers "The Word After That" which reads and feels like a separate book altogether. McLaren somewhat abruptly shifts from eschatology (the "doctrine" of the last times, especially of the final judgment) to ecclesiology (the "doctrine" of the Church). His characters speak of and participate in "deep ecclesiology."

One of the greatest gifts in the entire book is found here as McLaren shares the "five queries" that his spiritual formation group ponders together. They are well worth repeating: "How is your soul? How have you seen God at work in and through your life since we last met? What are you struggling with? What are you grateful for? What God-given dream are you nurturing?" As one of his characters would say, "That dog will hunt!"

This section also includes two questions worth repeating. They are questions that arise when we look at salvation not only as individual, but corporate: "If you were to live for another fifty years, what kind of person would you like to become-and how will you become that kind of person? If Jesus doesn't return for ten thousand years or ten million years, what kind of world do we want to create?" As another of his characters would say, "That'll preach!"

Overall, for a narrative of the story of life on planet Earth, McLaren's story-line sometimes rings a little Pollyanna. Do all, or even most, church conflicts end so perfectly for the "good guys"? I understand that McLaren's final vision for history moves toward reconciliation, but in this life?

By this tidy ending, and by what happens to and is said about "the good guys" and "the bad guys," an implication seeps out: "Anyone who disagrees with the outcomes of these theological probings is a witch-hunting, Pharisaical, hyper-fundamentalist, harsh, heretic-burning, unloving, unthinking, arrogant loser." That can feel a little like reverse spiritual correctness. As with the doctrine of final judgment, is it possible that thinking, loving Christians could actually disagree with the thought processes of the book in a thinking and loving way?

The same overly positive story-telling can be found throughout the trilogy in how people respond to Neo. As some "seeker" reviewers have noted about the first two books in this series, they would love to dialogue with Neo and don't think that they would "cave" so fast, or be nearly so enthralled.

Again, there seems to be a message here, a point being made by how people fawn over Neo. "This new kind of Christian stuff is incredible. It is so intelligent, so sensitive, and so unique. Brilliant. One in a billion." That doesn't quite convey the epistemological humility that post-modernism relishes.

So what do I REALLY think? Is McLaren a breath of fresh air and a post-modern Reformer? Or is he a little leaven and a post-modern heretic. Or something in between? Or neither? Or both?"

In the genre and spirit of "The Last Word and the Word After That," I'm not telling. Develop your own interpretation. Construct, deconstruct, and reconstruct your own view of McLaren and "The Last Word and the Word After That." That's certainly what Brian would want you to do. It's also what the Bible calls each of us to be-Be Bereans who use God's Word to evaluate human words, including "The Last Word and the Word After That."

Reviewer: Bob Kellemen, Ph.D., is the author of "Soul Physicians," "Spiritual Friends," "Biblical Psychology," "Martin Luther's Pastoral Counseling," and "Beyond the Suffering: Embracing the Legacy of African American Soul Care and Spiritual Direction."

177 of 197 people found the following review helpful.
A dangerous book--in a good way
By Tom Hinkle
This is the third book in McLaren's trilogy of narratives involving Pastor Dan and "Neo," here called by his given name Neil. Thankfully, this book drops the near-worship of Neo that was so irritating in the previous volumes.

Although not a scholarly work per se, I do appreciate the research behind it, just as I appreciate a sermon that shows solid research and is not just a bunch of half-baked ideas based on unrelated scriptures taken out of context and strung together. There is a simplified synopsis of the possible origins of the belief in hell. There is the interesting idea that Jesus was using the Pharisee's doctrine of hell and turning it on its head. There is a helpful table on scriptures from the Gospel that indicate either hell or some type of judgment that people have often contrued as hell, and boils them down to the actual point. If you think that Christianity needs the threat of hell to win converts, this might be considered a dangerous book. Even more dangerous are the hints that evangelical and reformed Christianity might have it wrong, and that the book of Romans has been misinterpreted over the years to support a concept of cheap grace while devaluing works. If there is a fourth volume to this "trilogy" (I know that's an oxymoron), that may be a fleshing out of the concept, as one character put it, that salvation is by grace but judgment is by works.

However you come down on the issue of hell (and if you read this as the narrative that it purports itself to be, you'll notice that not all characters agree, particularly the pastor's wife), it's important not to miss the main point: that the preoccupation with heaven, hell and the afterlife has resulted in an unfortunate de-emphasis of the quest for justice and God's righteousness here on earth. A serious reading of the teaching of Jesus will lead to the inescapable conclusion that his main concern was the Kingdom of God breaking in to the here and now, and not just the sweet by-and-by.

Although I consider this by far the strongest book of the trilogy, it is not perfect. There is a superfluous character named Pat early in the narrative who must have been borrowed from Julia Sweeney's character on Saturday Night Live, except Sweeney's Pat didn't write awful poetry. The issue of homosexuality in the church is not the point of this book and could be dealt with better in some of McLaren's other writings. The narrative itself has an almost unbelievably happy, sappy ending. And most irritating of all is in the chapter where McLaren quotes scholarly works on the doctrine of hell. He actually INVENTS phony sources for some of the quotes. I was scrambling trying to find the original quotation, only to read in the ending commentary that he made these up. That borders on dishonest, and is almost insulting to the serious reader.

I must add this, also. I am very distressed to notice that the watchdogs of fundamentalism are on constant alert, giving helpful votes to reviews that just give a scripture passage and don't review the book at all, and giving non-helpful votes to thoughtful, serious reviews, all based on the star rating (and actually that pretty much go unread, I suspect.) Remember that the votes are for "helpful" and "not helpful," not "I agree" or "I disagree." Keep that in mind, Einsteins.

26 of 29 people found the following review helpful.
Still processing this book...
By Nathan Eanes
As my title says, I am not sure what to think of all the doctrinal points this book raises. Part of the confusion, of course, is that McLaren doesn't answer nearly all of the questions he asks. Therefore, it was slightly frustrating to be left with so many questions (although, on the positive side, it strengthens our analytical and research skills, rather than just spoon-feeding us readers.)

In defense of this book, I have to begin by saying that I think many of the negative reviews were based partly on the fact that readers assumed they knew McLaren's opinion just because he questioned things they (and even I) considered orthodox. In other words, it seems that many people simply assume that McLaren, by wondering whether the "orthodox" beliefs about hell are really biblical, is bashing these beliefs. You see, I'm not sure the book is that cut-and-dry. We need to take it for what it's worth: a book that gets us thinking about whether American fundamentalism (which, like it or not, is really the basis for many modern evangelical beliefs) is really as biblical as we've been brought up to believe.

This brings me to my next point, which also has to do with readers who, in my view, are reading certain incorrect things into McLaren's writing. "A new kind of Christian," which has become one of this author's catch phrases, has, I think, been radically and dangerously misunderstood by most of McLaren's critics. Nowhere in his writing does he seek to destroy the Bible or Jesus. In fact, he seeks to understand the historical and theological context of the Bible's writers and subjects. This is offensive to many conservative evangelicals, who understand the Bible as a codebook on doctrine whose every word was literally dictated by God. McLaren seems to understand the Bible as divinely inspired but also highly historically situational, which throws a wrench into the fundamentalists' works. Therefore, "A new kind of Christian" is not something that seeks to destroy the orthodox ways of being a Christian, but rather tries to do two things: First, make Christianity relevant and understandable to people in our society. And second, bring a greater understanding of what the early Christians, those before the Roman Empire's near-fatal corruption of the Church, believed and lived. Of course, many American evangelicals have little understanding of the early Church, and they seem to believe that what they've been taught is truly "orthodox." Until we're willing to accept that we may, in fact, not know the ultimate truth about everything, we'll never become as humble as Jesus clearly called us to be.

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Rabu, 02 Desember 2015

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Uncle John's Bathroom Reader Christmas Collection, by Bathroom Readers' Institute

Stuffed like a Christmas goose, this holiday gift book is a cheerful mix of festive facts and yuletide yuks. Gather ’round the fire and unwrap the histories of such holiday traditions as Santa Claus, Rudolph, A Charlie Brown Christmas, candy canes, mistletoe, and more! You’ll also read about weird traditions, the Christmas Pickle, and Festivus. So let this merry little book be your favorite stocking stuffer!

  • Sales Rank: #931029 in eBooks
  • Published on: 2012-08-15
  • Released on: 2012-08-15
  • Format: Kindle eBook

Most helpful customer reviews

5 of 5 people found the following review helpful.
Yule have a wonderful time
By Dickens Carol
This little Christmas book with the cute little duck under the cute little Santa Clause hat is chockful of tidbits concerning the holidays and how they are celebrated. The Tradions, Decorations, Celebrations and everything else about the holidays are presented here. In this small book you will discover Christmas Trivia and interesting holiday facts, christmas music and their origins,Christmas decorations and traditions from around the world,and even Christmas jokes they are all covered here. So Pick up and enjoy.

And God Bless Us Everyone!

3 of 3 people found the following review helpful.
The Bathroom Reader Does it again!!!
By R. C Sheehy
Fans of the Bathroom Reader series know what to expect, entertaining factoids filled with nuggets of learning and several chuckles. This book follows the impossibly high standards of all the other books in the series. It is filled with tons of trivia on everything Christmas from Santa Claus to Rudolph to the First Christmas and more. Ever wonder where Egg Nog came from or why Christmas is on December 25? These questions and many others are answered. This book should become part of your holiday decorations so that others will know why we celebrate Christmas in the manner we do!

0 of 0 people found the following review helpful.
Christmas with Uncle John
By jeremy
A book for the coffee table, under the Christmas tree or in the room where you ah-hem you know. The first UJBR Christmas edition smaller than their usual books but still as entertaining. Hard back book with pressed cover of a snow duck. 178 pages of Info on subjects like mistletoe, Krampas, and the real life scrooge and a bunch of "Yultide yuks".

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Books of Magic, The, by Various, Neil Gaiman, ROGER ZELAZNY

From Neil Gaiman, the bestselling novelist and creator of the world-renowned comics title The Sandman, comes a mesmerizing tale of the dangers and opportunities of youth, and its endless possibilities. Illustrated by four of comics' most accomplished artists, John Bolton, Scott Hampton, Charles Vess and Paul Johnson, THE BOOKS OF MAGIC collects all four issues of the originalminiseries that introduced the character of Timothy Hunter and set the stage for his continuing adventures.Timothy Hunter could be the most powerful magician in the world, but does he really want to be? Guided through the magical world starting at the begining of time by a group of DC Universe magicians, often refered to as the Trenchcoat Brigade (John Constantine, Phantom Stranger, Mister E, and Doctor Occult), they attempt to aid Timothy in his decision whether or not to embrace his gift. However, by the time Timothy makes a choice, it may have already been made for him.

  • Sales Rank: #422557 in eBooks
  • Published on: 2012-08-07
  • Released on: 2012-08-07
  • Format: Kindle eBook

Most helpful customer reviews

83 of 92 people found the following review helpful.
A Classic of Its Kind
By Rodney Meek
Particularly after the success of Alan Moore's "The Watchmen" and Frank Miller's "The Dark Knight Returns", graphic novels have soared in popularity. Indeed, it now seems that the market is inundated with them, and practically every Vertigo title from DC is regularly recapitulated every seven or eight issues in collected paperback form. With such an increasingly large selection from which to choose, the more casual reader might be baffled as to where to start. This volume probably wouldn't be the wisest choice.
While it is of the highest quality, it really has its best payoff for those who have at least a passing acquaintance with DC's occult universe and its myriad figures. So many of these pop up within the story (in a profusion not seen since the struggle for the North Slope of Heaven in the pages of "Swamp Thing" a few years ago) that it can be daunting to the neophyte. Even many of the more experienced comics readers might have a hard time placing two of the four major magical protagonists, Mister E and Doctor Occult (who actually is one of DC's oldest characters, having been created many decades ago before slipping into obscurity). In fact, so very many exceptionally minor characters pop up in the margins that it's necessary to hit the Internet to find annotations to explain their background and significance.
In large part, this collection is an attempt to codify and explain the chaotic history of the DC occult universe. Gaiman has an intimate knowledge of apparently every title ever produced over the last 30 or 40 years, and he induldges himself somewhat showily in dragging in every two-bit mage and witch for a fleeting guest appearance. Often, this is done for purposes of historical revisionism, which is for the good, since the accretion of rank silliness and sloppily conceived plots in the thousands of DC comics over the years has resulted in many mutually contradictory character origins and universal histories, not to mention a lot of gross stupidity. (Such an opportunity for widescale housecleaning was one of the few appeals of DC's "Crisis on Infinite Earths", which gave the writers permission to ruthlessly slaughter dozens of idiotic characters and to destroy the countless alternate dimensions and the "it was just a dream" Earths. But I digress.)
Be that as it may, the heart of the story, which served to launch the ongoing "Books of Magic" series and its various mini-series spinoffs, is the realization by the mightiest of the occult powers that Timothy Hunter, a young lad in the UK, is destined to become the most powerful magician ever known, should he actively choose to walk that path. Accordingly, Doctor Occult, Mister E, the Phantom Stranger (always one of DC's coolest and most enigmatic characters, often thought to be a repentant fallen angel), and John Constantine (even cooler than the Phantom Stranger, although much scummier and devoid of nearly any useful powers) band together as the so-called Trenchcoat Brigade to show Tim what could lie in wait for him if he embraces a future of magic.
In its most basic form, this is of course a classic quest story, wherein a young man has to undertake a journey to discover his destiny, and along the way will discover mentors, guides, companions, and foes. In Tim's case, he's actually taken to the past and the future, and given an introduction to many of the occult players of the present. He also takes a fateful trip to Faerie, a mystical land which has long been of fascination to Gaiman (see his "Stardust", which also shares artist Charles Vess, for another treatment of the fey world).
The segment in Faerie is actually the strongest, largely because of the fantastic and dream-like nature of the setting and because of the art by the award-winning Vess, whose distinctive and delicate style suggests a naughty opium-addicted Victorian illustrator. Also of special interest are any of the scenes featuring the dissolute and disreputable yet popular John Constantine (who anchors his own series, the long-running "Hellblazer", itself a spinoff from "Swamp Thing"), a favorite Gaiman character. (I've noticed that all hip English characters in the comics have to share a loathing of the perceived horrors of Thatcherism, which arguably was the economic salvation of the UK, but again I digress.) Constantine is one of the most feared occult characters in the DC universe, even though he's actually one of the weakest. He gets by on bluff, style, and charm, and also because of his resemblance to a more dangerous and less eco-friendly Sting (tantric powers included).
At this early stage in the game, Tim remains mostly a cipher, since it's his job largely to merely bear witness to all that is being displayed to him. He has to make certain critical choices, but to a large degree he's overshadowed by the more strongly delineated members of the Trenchcoat Brigade. Even so, he plays an active enough role in his quest.
The character of Tim Hunter proves to be promising enough, and any Constantine appearance is welcome. Doctor Occult turns out to be so interesting that one wants to learn more (although very little has subsequently been done with this character). This volume is exceedingly enjoyable to any DC readers who have been fascinated with the magic-oriented superheroes, but can be intimidating to the less avid. Nevertheless, even for the more timid, the Vess artwork alone is worth the price of admission.

17 of 17 people found the following review helpful.
Rock on, Trenchcoat Brigade!
By A Customer
With Books Of Magic, Neil Gaiman pulls together various loose threads in the DC universe, and creates a consistent realm of magic through the familiar theme of a young boy exploring a strange world. The plot isn't the freshest thing Gaiman's ever written - it's the way he writes it that makes the story spectacular. Gaiman intertwines stories of ancient sorcerers, modern-day magicians whose sleight-of-hand is only a convenient front, and the evolution of humans - and magic - in the future. Various DC characters make appearances, notably Gaiman's Dream, Destiny, and Death of the Endless. The choice of artists for each chapter is perfect, so we have a John Bolton Merlin and a wonderful Charles Vess Fairyland. The book gives us glimpses of many characters and stories that could use further development, but it stands alone as a powerful parable of the roles of faith, power, and, of course, magic, in our lives.

14 of 15 people found the following review helpful.
Grand, epic and wonderous
By Sibelius
Neil Gaiman's, 'Books of Magic,' is a must read for anyone entranced by the Sandman universe and even for those new to his stories and characters. This book is a complete standout both in writing and artwork. Comprised of 4 chapters spanning 200 pages or so, each chapter is masterfully illustrated by AAA artists like John Bolton, Charles Vess, etc. And we're not talking quickie pencil jobs either. Each and every panel in this book is absolutely gorgeous - utilizing lush paint-work, fantastic coloring and razor sharp lettering.
Fans of the Sandman series will particularly appreciate the storyline for its meta views of the Sandman universe. What readers are treated to is essentially a guided tour of the worlds (both in physical reality and nether regions) and timelines (the past, present and the absolute end of infinite time) occupied by the characters in the numerous volumes of the Sandman series. In a nutshell this series is grand and sweeping in every sense of the word(s) and it's absolutely beautiful to look at. Don't miss this one!

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> Get Free Ebook How I Became a Quant: Insights from 25 of Wall Street's EliteFrom Wiley

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Praise for How I Became a Quant

"Led by two top-notch quants, Richard R. Lindsey and Barry Schachter, How I Became a Quant details the quirky world of quantitative analysis through stories told by some of today's most successful quants. For anyone who might have thought otherwise, there are engaging personalities behind all that number crunching!"
--Ira Kawaller, Kawaller & Co. and the Kawaller Fund

"A fun and fascinating read. This book tells the story of how academics, physicists, mathematicians, and other scientists became professional investors managing billions."
--David A. Krell, President and CEO, International Securities Exchange

"How I Became a Quant should be must reading for all students with a quantitative aptitude. It provides fascinating examples of the dynamic career opportunities potentially open to anyone with the skills and passion for quantitative analysis."
--Roy D. Henriksson, Chief Investment Officer, Advanced Portfolio Management

"Quants"--those who design and implement mathematical models for the pricing of derivatives, assessment of risk, or prediction of market movements--are the backbone of today's investment industry. As the greater volatility of current financial markets has driven investors to seek shelter from increasing uncertainty, the quant revolution has given people the opportunity to avoid unwanted financial risk by literally trading it away, or more specifically, paying someone else to take on the unwanted risk.

How I Became a Quant reveals the faces behind the quant revolution, offering you?the?chance to learn firsthand what it's like to be a?quant today. In this fascinating collection of Wall Street war stories, more than two dozen quants detail their roots, roles, and contributions, explaining what they do and how they do it, as well as outlining the sometimes unexpected paths they have followed from the halls of academia to the front lines of an investment revolution.

  • Sales Rank: #217560 in eBooks
  • Published on: 2009-05-18
  • Released on: 2009-05-18
  • Format: Kindle eBook

From the Inside Flap

The "quants"——Wall Street's disciples of quantitative analysis——have become the mar-ket's new superstars. Their mathematical models are now the basis for such financial market innovations as exotic derivatives, structured investment products, quantitative trading strategies, and portfolio selection.

What brought about this path-breaking investment revolution? Some cite the beginning of trading in exchange-listed equity options in 1973, while others credit the arrival of desktop computing around 1980. But perhaps the most important factor was the dramatic increase in the volatility of prices. It was this aversion to increasing uncertainty experienced by financial market participants——real, living, breathing people—that led to the quant revolution. So who are these people who develop the mathematical models that create new ways to allow people to modify their exposure to risk? How do they do what they do? Where did they come from? In How I Became a Quant, you will find firsthand accounts direct from the people who were swept into, and then helped fashion, today's "quant-driven," dynamic world of finance.

More than two dozen quants tell their stories here and detail the varying paths they have followed——often from university graduate departments of physics, math-ematics, and engineering——to Wall Street. Peter Carr, head of Quantitative Financial Research at Bloomberg, tells of his progression from cornering the local paper delivery market as a boy in Toronto to teaching at Cornell to ultimately helping Bloomberg start up its quant group. Leslie Rahl, President of Capital Market Risk Advisors, describes how she excelled in math and science as a girl, went on to MIT——so as not to be seen as "weird," as she thought might happen at other schools——and joined Citibank at a time when they had only two women VPs in the entire worldwide organization. Andrew Weisman, Managing Director of Merrill Lynch, reveals an academic background that began with study of the classics——Plato to Popper, Beowulf to Virginia Woolf, and oddly enough, swimming lessons.

These unlikely superstars of Wall Street now provide the intellectual horsepower to fulfill the dream of unlimited ability to manage risks through trading financial instruments. These are the stories behind their careers.

From the Back Cover
Praise for How I Became a Quant

"Led by two top-notch quants, Richard R. Lindsey and Barry Schachter, How I Became a Quant details the quirky world of quantitative analysis through stories told by some of today's most successful quants. For anyone who might have thought otherwise, there are engaging personalities behind all that number crunching!"
—Ira Kawaller, Kawaller & Co. and the Kawaller Fund

"A fun and fascinating read. This book tells the story of how academics, physicists, mathematicians, and other scientists became professional investors managing billions."
—David A. Krell, President and CEO, International Securities Exchange

"How I Became a Quant should be must reading for all students with a quantitative aptitude. It provides fascinating examples of the dynamic career opportunities potentially open to anyone with the skills and passion for quantitative analysis."
—Roy D. Henriksson, Chief Investment Officer, Advanced Portfolio Management

"Quants"—those who design and implement mathematical models for the pricing of derivatives, assessment of risk, or prediction of market movements—face the unprec-edented challenge of navigating some of the most volatile markets we have ever seen.

How I Became a Quant reveals the individuals behind this revolution, offering you the chance to learn firsthand what it's like to be a quant today. In this fascinating collection of Wall Street war stories, more than two dozen quants detail their roots, roles, and contributions, explaining what they do and how they do it, as well as outlining the sometimes unexpected paths they have followed from the halls of academia to the front lines of an investment revolution.

About the Author
McGraw-Hill authors represent the leading experts in their fields and are dedicated to improving the lives, careers, and interests of readers worldwide

Most helpful customer reviews

18 of 19 people found the following review helpful.
Interesting Stories, Sloppy Editing
By Jim Kucharczyk
A collection of first person narratives from some of the leaders of the quant revolution in financial markets over the last 3 decades. Some of the story telling seemed perfunctory, but in other cases it was downright inspiring. Most provide insight into the workings of Wall Street and the more exotic instruments and strategies in play in today's markets, and as such were of value to this non-professional reader.

Poor editing became annoying; words were not only misspelled, they were actually missing and had to be inferred from context.

Emmanuel Derman's "My Life as a Quant" provides only one story and not 25, but it is told with deep personal insight and a sense of humor. It also provides more technical discussion of a number of the important financial models developed and utilized in the market since the 1980s. For those interested in understanding how a hard scientist transitions from academia into finance, I would recommend it as a much better starting place than "How I Became a Quant."

My Life as a Quant: Reflections on Physics and Finance

45 of 53 people found the following review helpful.
See how quants have changed the world!
By Yin Luo
Although people may argue why this and that person was not on the Wall Street's quant elite list, I'd say that the authors picked an amazing list of 25 quants, representing quantitative equity portfolio management, market microstructure, derivatives pricing, and risk management. Yes, as you may not be aware of, there are two types of quants, one in quantitative equity/market microstructure and one in derivatives pricing/risk management. They are somewhat related, but use very different tools. The former is less well known until early 2000s (the boom of market neutral hedge funds) and the latter is overly covered in academic programs since late 1990s.

It's very interesting and inspiring to learn how these 25 quants became quants. Many with physics/math background came to finance, due to the cut of funding in hard science after the cold war. Many people became quants because of "accident". Few people came to this world because they had wanted to do quant finance from the beginning. Of course, it's all different now. Smart and ambitious university students aim at quant finance from day one. There are also many graduate computation finance/financial engineering/math finance programs to choose from, so you don't have to go through a lengthy PhD program.

Life is highly path dependent (as many of the 25 quants said in the book). Choose your career careful, but more importantly, choose something that you really enjoy (and hopefully, also something you are really good at) - this is one of the key messages in the book. I'd highly recommend this book to anyone with a keen interest in joining the quant finance world.

17 of 20 people found the following review helpful.
Many good & useful, some useless chapters
By MartinD
It seems almost every chapter is a variation on this answer to the question:

i) You don't become a "quant", because nobody can really defin what that is, but thanks for asking
ii) I got where I am today through skill, work, and (lots of) luck
iii) here's my well-polished story
iv) story

Still, it's a good read, mostly. Many chapters are interesting for the further reading they suggest, or questions they raise.

See all 24 customer reviews...

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  • Sales Rank: #2009129 in eBooks
  • Published on: 2012-09-05
  • Released on: 2012-09-05
  • Format: Kindle eBook

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!! PDF Download The Dialogue of the Ancients of Ireland: A new translation of Acallam na Senorach, by Maurice Harmon

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The Dialogue of the Ancients of Ireland: A new translation of Acallam na Senorach, by Maurice Harmon

The Dialogue of the Ancients of Ireland: A new translation of Acallam na Senorach, by Maurice Harmon



The Dialogue of the Ancients of Ireland: A new translation of Acallam na Senorach, by Maurice Harmon

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The Dialogue of the Ancients of Ireland: A new translation of Acallam na Senorach, by Maurice Harmon

One of Ireland’s greatest collections of stories and poems,


The Dialogue of the Ancients of Ireland is a new translation by Maurice Harmon of the


12th century Acallam na Senorach. Retold in a refreshing modern idiom,


the Dialogue is an extraordinary account of journeys to the four provinces by St. Patrick and the pagan Cailte,


one of the surviving Fian. Within the frame story are over 200 other stories reflecting many genres


– wonder tales, sea journeys, romances, stories of revenge, tales of monsters and magic.


The poems are equally varied – lyrics, nature poems, eulogies, prophecies, laments, genealogical poems.


After the Tain Bo Cuailnge, the Acallam is the largest surviving prose work in Old and Middle Irish.

  • Sales Rank: #1659936 in eBooks
  • Published on: 2009-02-07
  • Released on: 2012-09-06
  • Format: Kindle eBook

About the Author
Maurice Harmon is Professor Emeritus of Anglo-Irish Literature and Drama, University College Dublin.

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~~ PDF Download The Death Collector, by Justin Richards

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"Both Sherlock Holmes and Dr. Who would feel right at home in this tale that begs to be made into a movie. A thoroughly enjoyable romp. . . .Simply smashing." -Kirkus Reviews

"A terrific blend of horror and mystery . . . a quick read packed with twists, turns, and just enough gore to keep things interesting. A great choice for horror fans." - School Library Journal

"Suspense and adventure in abundance make for a thrilling read." -Publishers Weekly "A rip-snorter of an adventure novel . . . super-fun non-literary flat-out fast-paced adventure." -Bookshelves of Doom (online)


What starts as an ordinary picket-pocketing incident in Victorian London unites three teens against a madman. Eddie is the pickpocket; George is an assistant at the British Museum; Elizabeth has a nose for trouble-and all of them are being hunted by Augustus Lorimore. Lorimore is a sinister factory owner, a villain bent on reanimating the dead, both humans and dinosaurs-and one of each is already terrorizing the streets of London. It's up to Eddie, George, and Elizabeth to stop Lorimore's monsters . . . or die trying.

Recalling the classic horror of Mary Shelley's Frankenstein and the gothic chills of Caleb Carr's The Alienist, Justin Richard's novel is a historic thrill ride that will keep readers on the edge of their seats until the very last page.

  • Sales Rank: #733329 in eBooks
  • Published on: 2012-10-01
  • Released on: 2012-10-01
  • Format: Kindle eBook

From School Library Journal
Grade 5-9–Horror fans will delight in this British import by Justin Richards (Bloomsbury, 2006) set in foggy London in the 1800s. George Archer toils in the back offices of the British Museum as the youngest member of the Department of Unclassified Artifacts. When thieves burst in and kill his co-worker, George attempts to uncover why a scrap of paper from an obscure scientist's diary would be worth a man's life. Circumstances lead George to team up with a minister's daughter and a homeless pickpocket. The trio discovers the diary is sought by Augustus Lorimore, an industrialist with delusions of grandeur. The chase is on and narrator Steven Pacey picks up the pace and leads listeners on a breathless romp through Victorian London complete with a séance, walking zombies, and a fire-breathing monster. Suggest this title to students who enjoyed Eleanor Updale's Montmorency series. With a pinch of Poe and a dash of Mary Shelley, listeners will be deliciously entertained.–Tricia Melgaard, Centennial Middle School, Broken Arrow, OK
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Gr. 6-9. "Four days after his own funeral, Albert Wilkes came home for tea." It's hard to resist an opening line like that one, which sweeps readers right into this highly atmospheric story that invites at least nascent comparison to Frankenstein and Sherlock Holmes. However, kids who have read Richards' Ghost Soldiers (2006), part of his Invisible Detective series, can't help but recognize a lot of similarities: three young protagonists (in this case, 19-year-old clockmaker, George; Liz, 18, daughter of an elderly clergyman; and intrepid street urchin Eddie); a foggy British backdrop that provides convenient cover for the activities of both heroes and villains; and a powerful megalomaniac, well on the road to creating monstrous beings that will topple world order. Readers will certainly need to suspend disbelief here, but the creepy combination of horror and mystery picks up speed deliciously with every turn of the page. Stephanie Zvirin
Copyright © American Library Association. All rights reserved

About the Author

Justin Richards has written dozens of novels, as well as audio and television scripts. He is a creative consultant to the BBC Worldwide's range of Doctor Who novels and the author of the middle-grade Invisible Detective series. Justin lives in Warwick, England.

Most helpful customer reviews

9 of 10 people found the following review helpful.
Victorian Scare with High-tech Flair
By Jeannie Mancini
This is a fabulous blend of mystery and horror for young adults who would like a Victorian scare with high-tech flair. The story was fast paced, and I was riveted to my seat from start to finish in one sitting. I am a big fan of the author's Invisible Detective series and found this another great title to enjoy. Like in the Invisible Detective series, the plot mixes a nice blend of endearing characters with some very nasty villains and lots of action and mystery to keep one turning the pages without stopping. . Two thumbs up for this creepy suspense novel!

8 of 9 people found the following review helpful.
I am a sixth grader
By A Customer
I am a sixth grader. The book I read is The Death Collector. It is about a man named George, a lady named Liz, and a boy named Eddie. They battle a mad scientist who experiments with dead things and tries to create life.

I recommend this book to anyone who likes lots of action, and adventure. I really liked this book because it really got my imagination going. It was also fun to predict what might happen next, and in the beginning, who's bad and who's not (this is really fun). For example, in my favorite part (described in part below), there is lots of action and suspense, and you never know what to expect. This really helps to grab my interest.

My favorite part is when George and Eddie save Liz and Sir William (a person who works at the British Museum and helps him). Eddie, a former pickpocket, dresses up as a delivery boy and delivers a special clock to the mad scientist, Lorimore. At exactly six o'clock, the clock does something very unexpected, but I will not spoil it for you.

I really like all the surprises in this book. For example, in the beginning, George and his friend Percy are attacked, and Percy is killed. But in his last breath, Percy says "help" and "Lorimore". This makes George think that Lorimore can help, but when he goes to Lorimore's mansion, he is in for a big surprise.

This is a really good book that I think anyone who likes action, adventure, suspense, and mechanical monkeys in army uniforms should read this book. Think this was an extremely great book and I also think everybody should read it.

0 of 0 people found the following review helpful.
One of my favorite books of all time!
By Patricia K Azeltine
I think Justin Richards is one of the best writers ever and I LOVE his books! I hope to be as good a writer as he is and The Death Collector is one of my most favorite books of all time. I kept borrowing the book and decided it was time for me to get my own copy. So now I can read it over and over. I only wish I could get it autographed by him! LOL! Anyone who likes historical young adult with a male protagonist would like this book. I think middle grade kids would like this too. It has a mystery to it that keeps you guessing until the end. I would recommend this book to everyone! My daughter, an elementary school teacher and reading specialist, told me about this book. It's worth reading and keeping in your library!

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