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70% Acrylic 30% Wool, by Viola Di Grado
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Winner - Campiello First Novel Award;
Finalist – The Strega Prize for Fiction.
Camelia is a young Italian woman who lives with her mother in Leeds, a city where it is always December and winter has been underway for such a long time that nobody is old enough to have seen what came before. She’s dropped out of university and translates instruction manuals for an Italian washing machine manufacturer; her mother, Livia Mega, once a renowned flautist, spends her days inside taking photographs of holes she finds in the house. Camelia and her mother communicate in a language of their own invention, in which words play no part. The lives of these two women have been undone by a calamity in their recent past, and there seems little or no possibility of ever finding their way back to a normal life. But one day Camelia meets Wen, a local shop owner. To win Camelia’s affections, Wen begins teaching her Chinese ideograms. Through this new language of signs and subtle variations Camelia learns to see the world anew and, in it, a chance for renewal. Stylistically innovative, linguistically thrilling, 70% Acrylic, 30% Wool announces the arrival of an exceptional new talent. A most unusual love story, one as unpredictable as the human heart itself, 70% Acrylic, 30% Wool is funny at times, bittersweet at others. It will find admirers among readers of Karen Russell and Jennifer Egan.
- Sales Rank: #1588876 in eBooks
- Published on: 2012-10-02
- Released on: 2012-10-02
- Format: Kindle eBook
About the Author
Viola Di Grado was born in Catania, Italy. She now lives and studies in London. 70% Acrylic 30% Wool is her debut book.
Most helpful customer reviews
3 of 4 people found the following review helpful.
too much effort to satisfy present conception of
By judith v hetenyi
Well written, pile of smartly selected worlds, but without real meaning. (besides that it explains to the reader how to lead a disastrous life in a trendy way.)
I didn't mind reading it once; I don't think though, I will ever have the urge to pull it down from my bookshelf to read it again. Maybe the author is too young yet, but I can image that she would be able to develop too a much more elevated level.
Best parts of the book was the explanations of Chinese way of writing/thinking, and the unfortunate climate of Leeds.
0 of 0 people found the following review helpful.
intense
By true
This is an intense book that, from the first line, draws the reader in a whirl of despair and hope, anger and love.
The words are hard and nasty, sharp like the scissors that Camelia uses to attack the clothes, but they also bring with them a yearning for love, to be given and to be received. A desperate cry that is lost in the days and months without number and without a name. Camelia desperately tries to come out of the emotional hole where a tragedy has thrown her and her mother. She finds an unexpected solace in the study of the Chinese characters and in getting to know the guy who helps her in this discovery. The new life and prospects that fold out for Camelia are, however, as fleeting as the summer of Leeds. A story to be read in one shot, it repels and attracts at the same time for its hardness and its truth. The reality is described through vivid and poignant metaphors that effectively convey Camelia’s mood although, sometimes, they are a bit redundant.
0 of 0 people found the following review helpful.
This book is like a cold shower
By DAC
This book is like a cold shower. At first you don't like it and yearn to get out but if you are patient you start to see it isn't that awful or may even have some refreshing qualities.
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