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An Enlarged Heart: A Personal History, by Cynthia Zarin
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An Enlarged Heart, the exquisitely written prose debut from prize-winning poet Cynthia Zarin, is a poignantly understated exploration of the author’s experiences with love, work, and the surprise of time’s passage. In these intertwined episodes from her New York world and beyond, she charts the shifting and complicated parameters of contemporary life and family in writing that feels nearly fictional in its richness of scene, dialogue, and mood. The writer herself is the marvelously rueful character at the center of these tales, at first a bewildered young woman, navigating the terrain of new jobs and borrowed apartments and the rapidly fading New York of people like Mr. Ferri, the Upper East Side tailor (“a wren of a man with pins flashing in his teeth”). By the end, whether Zarin is writing about vanished restaurants, her decades-long love affair with her collection of coats, a newlywed journey to Italy, a child’s illness, Mary McCarthy’s file cabinet, or the inner life of the New Yorker staff she knew as a young woman, this history of the heart shows us how persistent the past is in returning to us with entirely new lessons, and that there are some truths not even a tailor can alter.
- Sales Rank: #926626 in eBooks
- Published on: 2013-02-12
- Released on: 2013-02-12
- Format: Kindle eBook
From Booklist
Poet, children’s author, and journalist Zarin was the fashion writer for the New Yorker while she was in her twenties in the 1980s, and her passion for beautiful fabric and well-tailored attire, especially coats, is the catalyst for many of her lustrously descriptive, complexly emotional, and exquisitely crafted personal essays. But marriage and motherhood are the lifeblood of her acute observations and incisive reflections, from an interrupted honeymoon in Italy to the terrifying title piece about her youngest daughter’s battle with a rare malady. Each episode is ensnaring, each setting scrupulously and atmospherically evoked in language silken and cut on the bias. But it is what she makes out of these reassembled remnants of memory that imbues this book with its lambent beauty and philosophical resonance. As Zarin retrieves indelible incidents from her life stained with chagrin, regret, and shock, she reflects on the quiet arts of reclamation and refurbishing, discovering in those practices––which are much like writing itself—ways to live with disquieting change, mortifying mistakes, and condemned dreams, ways to alter, mend, repair, and begin again. --Donna Seaman
Review
“Enchanting. . . . Zarin knits her stories together with an appealing and deeply intimate voice.” --Boston Globe
“The essays’ overlapping corners have a cumulative power, evoking a disappeared New York . . . in which a young romantic began making her way in words.” —Vogue
“There were moments throughout that reminded me of Didion at her elegiac best, which is perhaps the finest compliment I know how to pay an essayist…. Zarin [is] a first-rate practitioner.” —Christopher Beha, The New York Times Book Review
“Zarin takes readers on a journey through a lifetime’s worth of homes, relationships and landscapes. . . . Pulses with a life force.” —Kirkus Reviews [starred review]
“A dozen delightful essays set in a mostly ephemeral Manhattan…. [Zarin] weaves a lyrical memoir out of mundane urban experiences . . . with characters ranging from William Shawn, the New Yorker editor, to Mr. Ferri, an Upper East Side tailor, whom she vividly describes as ‘a wren of a man with pins flashing in his teeth.’” —The New York Times
“Elegant, interlocking essays . . . [with] an underlying generosity of spirit. Her remembrances, while revealing, are refreshingly devoid of the medical-grade dysfunction we’ve come to expect from memoir. . . . An enlarged heart is surely a marvelous thing.” --San Francisco Chronicle
“Lustrously descriptive, complexly emotional, and exquisitely crafted personal essays. . . . Each episode is ensnaring, each setting scrupulously and atmospherically evoked in language silken and cut on the bias. But it is what she makes out of these reassembled remnants of memory that imbues this book with its lambent beauty and philosophical resonance.” —Booklist
“Zarin’s moving and beautiful memoir accomplishes one of the rarer of literary feats—it locates the profound in the outwardly ordinary. Zarin masterfully reveals those significant emotional, moral, and aesthetic truths that tend to conceal themselves among everyday events, an act of camouflage so effective as to require a truly brilliant writer to show us the beauty and terror of that which has long been hiding, often in plain sight. An Enlarged Heart is a large book.” —Michael Cunningham, author of By Nightfall and The Hours
“Irresistible. In a series of elegant, piercing moments, Zarin unleashes the immense power of the intimate, conjuring both the past and the present with brilliance and wit, transforming anecdote into art. These pages beat with precision, sorrow, color, strength and life.” —Jane Mendelsohn, author of Innocence and I Was Amelia Earhart
About the Author
Cynthia Zarin was born in New York City and educated at Harvard and Columbia. The author of four books of poetry and five books for children, she is a longtime contributor to The New Yorker, as well as other publications, and a former contributing editor at Gourmet. Her awards and honors include a John Simon Guggenheim Fellowship, the Ingram Merrill Award for Poetry, the Peter I. B. Lavan Prize, a National Endowment of the Arts Award for Literature, and the Los Angeles Times Book Prize. She lives in New York City.
Most helpful customer reviews
6 of 6 people found the following review helpful.
Intimate voice that hooks you from the start
By Nancy Brandwein
It's hard to write this review, because I found Zarin's essays both intriguing and infuriating. She draws you in with the intimacy of a friend, the kind of friend you are quick to make as a mother in New York City, in the playgrounds or while working the rummage sale tables of your kid's school (in fact, I'm pretty sure I'm walking around wearing Zarin's cast-offs since I shop at The Cathedral School rummage sale!). She often goes into digressions and asks the reader "What's the point?" about something she just revealed--a comparison of the color of flowers out west and the color of water in Truro, for instance. However, I also fell in love with her voice, so human and humane, her ruminations on clothing, especially, were moving to me, as I can often best remember events of my youth by particular signature items of clothing. I felt a bit irritated by the references to husbands one and two, who never materialized as real people on the page, and "the children" seemed like a swarm of children, as if Zarin were a Pied Piper leading them about. As with the husbands, they did not have personalities, but I wondered, as a personal essayist myself, if this was out of a protective impulse toward privacy. Again, I'm conflicted, I loved the karmic sleight of hand she illuminates, especially in the title essay, in which she shows how past or present losses are offset by other, seemingly unrelated revelations or events. I love the indulgence of her prose, the willingness to give in to a fetish about a coat or a color, to say of her stretch of beach in Cape Cod, "This is the most beautiful beach in the world,"--this, from someone who admits she never strays too far from the perimeter of blocks in which she grew up. The seesawing back and forth between descriptions of her two apartments, sometimes confused me, but by the end of her book I felt that the essays, slightly overlapping, offered a palimpsest of a certain kind of New York City life, of an extremely intelligent and sensitive woman, who, like so many of us, are also unsure and full of self-doubt. I will dip back into it again.
3 of 3 people found the following review helpful.
want to like this more than I do
By L. K. Mann
I am still reading, cause it is hard for me to follow some of her style: she free-associates in a way that may work well in spoken conversation, but hard on the page.
1 of 1 people found the following review helpful.
The Pleasure Is In The Details
By David Curry
A problem with memoir as a literary genre is that by its very nature it can encourage solipsism. In this book Cynthia Zarin too often heads in that direction. What saves the book is the triumph of outward over inward vision, so that the reader gets treated to a feast of detail. And what an eye and memory Zarin has for detail! (I frequently found myself thinking of Maeve Brennan.)
Bonus: Alex Katz's painting BRISK DAY 1, 1990 makes a stunning dust jacket for the book.
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