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Z: A Novel of Zelda Fitzgerald, by Therese Anne Fowler
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"When I saw that Amazon Prime was unveiling its original pilot for Z, a biographical series based on Therese Anne Fowler's novel about Zelda Sayre Fitzgerald, I raised a wary eyebrow. . . But I was wrong, oh me of little faith. . . [I]t's an enveloping period piece, perfectly cast, and I would like to see the pilot green-lighted into a series so that we can see this romance go up like a rocket with one loud champagne pop and strew debris across mansion lawns and luxury hotel lobbies in its transcontinental path." —Vanity Fair
I wish I could tell everyone who thinks we're ruined, Look closer…and you'll see something extraordinary, mystifying, something real and true. We have never been what we seemed.
When beautiful, reckless Southern belle Zelda Sayre meets F. Scott Fitzgerald at a country club dance in 1918, she is seventeen years old and he is a young army lieutenant stationed in Alabama. Before long, the "ungettable" Zelda has fallen for him despite his unsuitability: Scott isn't wealthy or prominent or even a Southerner, and keeps insisting, absurdly, that his writing will bring him both fortune and fame. Her father is deeply unimpressed. But after Scott sells his first novel, This Side of Paradise, to Scribner's, Zelda optimistically boards a train north, to marry him in the vestry of St. Patrick's Cathedral and take the rest as it comes.
What comes, here at the dawn of the Jazz Age, is unimagined attention and success and celebrity that will make Scott and Zelda legends in their own time. Everyone wants to meet the dashing young author of the scandalous novel—and his witty, perhaps even more scandalous wife. Zelda bobs her hair, adopts daring new fashions, and revels in this wild new world. Each place they go becomes a playground: New York City, Long Island, Hollywood, Paris, and the French Riviera—where they join the endless party of the glamorous, sometimes doomed Lost Generation that includes Ernest Hemingway, Sara and Gerald Murphy, and Gertrude Stein.
Everything seems new and possible. Troubles, at first, seem to fade like morning mist. But not even Jay Gatsby's parties go on forever. Who is Zelda, other than the wife of a famous—sometimes infamous—husband? How can she forge her own identity while fighting her demons and Scott's, too? With brilliant insight and imagination, Therese Anne Fowler brings us Zelda's irresistible story as she herself might have told it.
- Sales Rank: #31428 in eBooks
- Published on: 2013-03-26
- Released on: 2013-03-26
- Format: Kindle eBook
Most helpful customer reviews
185 of 196 people found the following review helpful.
Beautiful, poignant fictional autobiography
By a
I have been an ardent fan of F. Scott Fitzgerald since I first read "The Great Gatsby" in the tenth grade. I own his complete works, along with an entire shelf of biographies and critical analyses of his work. As author Therese Anne Fowler notes in the Epilogue of this interesting, poignant novel, there really are Team Scott camps and Team Zelda camps. Few literary figures can boast such intense one-sided supporters. I've always found myself firmly planted on Team Scott, and I admit that I've given little regard to wife Zelda over the years other than knowing her as "the crazy woman" that ultimately destroyed Scott and his fragile talent.
That said, "Z" is an extraordinary, excellent fictional autobiography that - perhaps for the very first time - opened my eyes to the complicated nuances of the Fitzgeralds' life and marriage. Fowler's Zelda emerges as a complete, likeable flawed heroine - full of energy, love, and independence in an era when women were extremely limited and scandalized for thinking outside the confines of domesticity. At the outset I braced myself for a very critical portrayal of F. Scott Fitzgerald, since it was clear from the outset that Fowler was on Team Zelda. I was pleasantly surprised that Scott is treated quite fairly, characterized as the selfish, drunken genius that he was, firmly entrenched in the period's belief in male superiority. If anyone emerges as the villain here, it is Fitzgerald's friend and rival Ernest Hemingway, who treated quite critically (again, all from Zelda's perspective).
This is the touching, engaging story of a time and the two individuals who defined it. Zelda Fitzgerald is, at long last, a real person with a heart and soul and mind of her own, detached from her more famous husband. This book has inspired me to learn more about this unique woman, in the hopes that it will, in turn, help me better understand the beauty of Fitzgerald's work and why I fell in love with "Gatsby" in the first place, all those years ago. Easily recommended.
91 of 94 people found the following review helpful.
Fascinating fictional look at Zelda and Scott Fitzgerald
By Kathy Cunningham
If you've seen Woody Allen's 2011 film "Midnight in Paris," you'll have a feel for what Therese Anne Fowler's novel Z is all about. In the film, a hapless modern-day screenwriter is inexplicably transported to the Paris of the 1920's, where he finds himself in the company of such mythical greats as Ernest Hemmingway, Pablo Picasso, Cole Porter, Jean Cocteau, Gertrude Stein, and yes, Scott and Zelda Fitzgerald. Fowler's novel is written as a first-person account of Zelda Sayre's romance with and marriage to F. Scott Fitzgerald. What works best about the novel is the same thing that works best about Allen's film - the reader is transported into a wondrous and exotic world of great writers, artists, and musicians against a backdrop of glamorous parties, excessive wealth, and the promise of dreams-come-true. This isn't so much a novel about Scott and Zelda, the "Golden Couple" who enchanted the public in the `20's, as it is about the time itself, about New York during Prohibition, about Paris and Rome, and about what it was like to be a woman with dreams of her own married to a man whose own dreams and expectations consumed her.
Fowler's Zelda is a remarkable character, full of charm and wit and promise. She meets Scott before the publication of his first novel, when he was so young and full of the spirit of adventure that she is captivated in spite of her father's admonition that he will never be able to support her. Their first few years in New York are a whirlwind of social engagements, all-night clubbing, and the undying attention of the media and the public. They seem charmed during those days. But if you know their story, you'll be anticipating what happens next. Zelda's own creative ambitions (she writes, paints, and dances) ultimately threaten her husband's, and there seems no hope of a peaceful resolution for the two of them.
In the afterward to Z, Fowler explains that this is a work of fiction, and while she did extensive research into the lives of both Scott and Zelda (including reading scores of letters they wrote to each other, and about each other, over the years), she has had to come up with her own explanations and interpretations of events that happened in their lives. For example, the acknowledged animosity between Zelda and Hemmingway has never been explained (they seemed friendly early in their relationship, but later Hemmingway was brutally critical of her). Here, Fowler creates an incident between them that is purely fiction, however cleverly it works to explain the rift. Is this fair? For a biography, definitely not. For fiction, I think it is.
Fowler admits that there are two distinct camps of opinion on the Fitzgeralds, one holding that Zelda ruined Scott's life, and the other holding that he ruined hers. In Z, Fowler tries to take a middle ground, one that clearly demonstrates the destructive nature of a man obsessed with his own fame and financial success, while at the same time pulling no punches in portraying Zelda as a woman suffering from a series of debilitating illnesses. But was Zelda's mental collapse really the result of an actual mental disorder, or was she the victim of a society (and a husband) that couldn't accept a woman with ambitions of her own? There is some suggestion of that in Z, and I must admit my opinion of Scott changed dramatically by the conclusion of Fowler's novel.
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I have long been an admirer of Fitzgerald's THE GREAT GATSBY, and I always saw him as Nick Carraway, young and overwhelmed amid the excesses of life in New York and Long Island. After reading Z, I wonder if Fitzgerald wasn't more Gatsby than Carraway, more obsessed than overwhelmed with a world that celebrated fame, money, and ostentatious pretention. Gatsby was motivated by the dream of a past he felt had eluded him; so was Fitzgerald. He wanted the fame, the money, the success, the envy of his peers. And he wanted a wife that would be as much a part of that - the flapper girl, the "beautiful fool," as Daisy once said - as his novels and his stories. When Zelda began to look for a life and identity of her own, Scott couldn't handle it. As Fowler writes (in Zelda's voice), "I was fighting for my right to exist independently in the world, to realize myself, to steer my own boat if I felt like it. [Scott] wanted to control everything, to have it all turn out the way he'd once envisioned it would . . . He wanted his adoring flapper, his Jazz Age muse. He wanted to recapture a past that had never existed in the first place."
Z is a captivating and marvelous depiction of two literary greats battling a changing world and each other. I never once doubted that the narrator of Z is Zelda herself, as if Fowler channeled this woman's very essence as she wrote the novel. And while I found myself furious with Scott by the end of the book (and furious with Zelda for not having the strength to move past him), I understood both of them and the complicated ties that bound them. This is a fascinating novel. I recommend it highly.
77 of 80 people found the following review helpful.
The beautiful and damned
By Divascribe
Scott and Zelda Fitzgerald were the golden couple of the frenetic 1920s: Young, good-looking, talented and able to party from dusk till dawn. Scott's novels were hymns to the Jazz Age and its not-always-wretched excess. For awhile, at least, the Fitzgeralds were able to keep up with their high-living image, moving from New York to Paris to enjoy life with the other artistic expats in the City of Light. Scott was idolized for his writing and Zelda for her beauty and high spirits.
The problems began when Scott's drinking outpaced his writing, and he struggled month after month, year after year, to get a book finished. Zelda, meanwhile, with gifts of her own in writing, painting and ballet, struggled with resentment that she was relegated to the supportive role of wife and mother to their daughter Scottie.
Was this couple good for each other or did they destroy each other? Perhaps a little of both. Scott's drinking problem needed no encouragement, and Zelda's obsessive personality eventually put her in a Swiss asylum with a diagnosis of schizophrenia. Today, it's believed she was bipolar instead, but whatever the malady, the drinking and high living exacerbated it. There also was the stress associated with Scott's easy come, easy go philosophy about money.
Therese Anne Fowler has written Zelda's story as though she told it herself, so the portrait of her is more sympathetic than others told by people in the Scott camp. Among those was Ernest Hemingway, a close friend of Scott's who wound up hating Zelda (the feeling was mutual) and bad-mouthing them both in his memoir "A Moveable Feast" many years later. "Z" is a well-written, absorbing book that tells Zelda's story as she and Scott navigate the sometimes treacherous waters of fame and professional jealousy.
The only criticism I have is that Zelda sometimes speaks in the Southern drawl of her hometown of Montgomery, Alabama, dropping the g's on the ends of her words, and other times speaks without the accent with no real explanation of why she goes back and forth. The drawl was probably inserted for effect, but I found it distracting and confusing.
Other than that, though, this is a fine novel that illuminates two tragic characters in literary history. Scott's drinking destroyed his life, and one of Zelda's analyists described her as "a jazz-age train wreck in slow motion." Did they destroy each other? This book lets the reader make up his or her own mind.
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